Description
Sound you can trust.
When you’re serious about creating music, you need studio monitors that will speak nothing but the truth. Eris®-series monitors deliver a smooth and accurate frequency response, powerful Class AB amplification with loads of headroom, and a suite of acoustic tuning controls to mitigate room anomalies. Whether you’re recording your first album or your latest hit, Eris monitors will ensure your vision is heard.
Woofers that deliver a cleaner overall sound.
Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E5’s five-inch woofer helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.
Smooth high end.
Each Eris monitor is equipped with a silk dome tweeter designed to radiate sound with a wide dispersion pattern, creating a larger sweet spot. The result is a smooth and refined sound that accurately reproduces transients and high frequencies.
Monitors you can customize.
Today’s music producers deal with a wide variety of musical genres and often work in challenging mixing environments. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.
Connect to virtually any line-level source.
With three different types of audio inputs, it’s easy to feed audio to your Eris monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E5 monitors provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. With this selection, you’ll have no problem hooking your Eris speakers up to virtually any line-level source.

Features
Components and construction
- 5.25-inch woven composite low-frequency transducer
- 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
- Front-firing acoustic port for superior bass-frequency reproduction
- Optimized, resonance-suppressing internal bracing
- 102 dB maximum continuous SPL
User controls
- HF Driver Adjust (±6 dB, continuously variable)
- Midrange Driver Adjust (±6 dB, continuously variable)
- Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
- Highpass filter (Off, 80 Hz, 100 Hz)
Power and safety
- 70 watt, Class AB biamplification
- RF interference, output current limiting, over-temperature, transient, and subsonic protection
- Amplifier “soft start” feature eliminates popping on power-up
- Internal power supply with IEC connector
- Power switch with on/off LED
Inputs and outputs
- Balanced XLR/¼-inch
- Unbalanced RCA inputs
Technical Specifications
Inputs |
|
---|---|
1- Balanced XLR | |
1- Balanced ¼” TRS | |
1- Unbalanced RCA |
Performance |
|
---|---|
Frequency Response | 53 Hz – 22 kHz |
Crossover Frequency | 3 kHz |
LF Amplifier Power | 45W |
HF Amplifier Power | 35W |
Peak SPL (@ 1 meter) | 102 dB |
LF Driver | 5.25” |
HF Driver | 1” silk dome |
Input Impedance | 10 kΩ |
User Controls |
|
---|---|
Volume Range | A-type taper |
MF Control | -6, 0, +6 dB |
HF Control | -6, 0, +6 dB |
Low Cut | Flat, 80 Hz, 100 Hz |
Acoustic Space | Flat, -2 dB, -4 dB |
Protection |
|
---|---|
RF interference | |
Output-current limiting | |
Over-temperature | |
Turn-on/off transient | |
Subsonic filter | |
External mains fuse |
Power |
|
---|---|
100-120V ~50/60 Hz or 220-240V ~50/60 Hz |
Cabinet |
|
---|---|
Vinyl-laminated, medium-density fiberboard |
Physical |
|
---|---|
Width | 7” (178 mm) |
Depth | 7.68” (195 mm) |
Height | 10.24” (260 mm) |
Weight | 10.2 lbs (4.63 kg) |