Fender Quantum HD 2 USB-C Audio Interface

Description

Instrument Inputs Dynamic Range – 111 dB (A-Weighted, Minimum Gain)
Instrument Inputs Frequency Response – 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz)
Instrument Inputs Gain Range – 75 dB
Instrument Inputs Maximum Level – +21 dBu (Unbalanced, Minimum Gain)
Line Inputs Dynamic Range – 118 dB (A-Weighted, Minimum Gain)
Line Inputs Frequency Response – 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz)
Line Inputs Gain Range – ± 10 dB
Line Inputs Impedance – 10K Ohms
Line Inputs Maximum Level – +18 dBu (Balanced, Minimum Gain)
Line Inputs Total Harmonic Distortion – 0.001% (1 kHz, Minimum Gain)
Microphone Input Connection Type – XLR Female (Combo), Balanced
Microphone Preamp Dynamic Range – 116 dB (A-Weighted, Minimum Gain)
Microphone Preamp Equivalent Input Noise – -130 dBu (Maximum Gain, 150 Ohms, 20 kHz BW, A-Weighted)
Microphone Preamp Frequency Response – 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz)
Microphone Preamp Gain Control Range – 75 dB
Microphone Preamp Input Impedance – 1600 Ohms
Microphone Preamp Maximum Input Level – +18 dBu (Balanced, Minimum Gain)
Microphone Preamp Total Harmonic Distortion – 0.002% (1 kHz, Minimum Gain)

Headphone Outputs Connection Type

Headphone Outputs Dynamic Range – 118 dB (A-Weighted)
Headphone Outputs Frequency Response – 20 Hz to 20 kHz, +/- 0.3 dB (Unity Gain, Reference 1 kHz)
Headphone Outputs Impedance Working Range – 33 Ohms
Headphone Outputs Maximum Output – 11 dBu (50 Ohms)
Headphone Outputs Total Harmonic Distortion – 0.001% (1 kHz)
Line Outputs Connection Type – 1/4″ TRS FemaleLine Outputs Maximum Output Level – +18 dBu (Balanced)
Line Outputs Output Impedance – 51 Ohms
Main Outputs Connection Type – 1/4″ TRS Female