Tone and Pre-Delay controls for flexible reverb tone shaping.
Adjustable modulation for moderate to intensely-modulated reverb sounds.
Analogue dry path option for a zero-latency dry signal that is never converted to digital.
Ensemble effect for lush, orchestral-inspired harmonic enhancement.
Dry Kill mode to optionally mute the dry signal, providing control for the wet signal only.
Stereo input and stereo output (requires “TRS to dual TS” adapter or cable for each jack).
Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
Separate Freeze and Infinite modes for creating continuously-sustaining sounds.
High-impedance and ultra-low noise discrete Class A JFET TRS stereo preamp input.
Fully-featured MIDI capability (Continuous Controller, Program Change, and 300 presets).
USB-C jack for performing firmware updates and connecting to the Strymon Nixie editor software.
+10dBu maximum input level easily handles instrument and line level signals.
High-performance 520MHz ARM Superscalar processor.
32-bit floating point processing.
Super low-noise, high-performance A/D and D/A converters.
Strong and lightweight anodized aluminium chassis.
Designed and built in the USA.
Controls
Decay: Controls the decay time of the reverberated signal. Lower settings reduce the size of the reverberated space.
Ensemble: Analyses the input signal and generates a harmonically rich pad reminiscent of a string section. Three settings: off (no ensemble effect), mp (a medium amount of ensemble for subtle enhancement) and forte (maximum ensemble effect for creating a lush soundscape).
Mix: Influences the reverb mix from fully dry at minimum, to fully wet at maximum. A 50/50 mix occurs at approximately 3 o’clock on the knob.
Pre-Delay: Sets the amount of time before the reverberated signal appears. For the most natural results, use lower mix settings when using higher pre-delay.
Tone: Adjusts the high-end content of the reverb. Lower settings create darker, warmer reverberation. Higher settings are bright and crisp (note: this also affects the presence of the ensemble effect).
Mod: Adds a wide range of modulation to the reverberated signal. Modulation is off at the minimum setting.
